Between Sept 26 and Oct 24 ’20, Fronting Motion is part of Appearances, an online show on www.upstream.gallery For this occasion, the two websites have been restored and are now running on archived data from 2014.
1011 KB Amsterdam
+31(0)20 – 428 428 4
Opening hours: Wednesdays through Saturdays, 13.00 – 18:00 and by appointment.
The presentation at Esther Klein Gallery; Philadelphia; USA 2014
An internet based artwork by Esther Polak and Ivar van Bekkum
Sept 2020 restoration date of the project from May 1 2014 – 2017
Use (Chrome) browser to experience this project. If possible on two computer screens. Then go to:
• www.frontingmotioneast.net [Southampton harbour data stream; archived in 2014]
• www.frontingmotionwest.net [ANPR camera data stream; archived in 2014]
Imagine yourself standing between two screens. Sound is all around you: you hear cars approaching, while from your back, you hear the sluggish blowing of a sea tanker horn sounds, distant gulls? Everywhere you hear this other, constant noise. Is it the sea you hear, or is it the sound of a highway? There is no way to distinguish other than by seeing or imagining because both are in E flat as the Dutch poet Henk Ester claims*.
Meanwhile, on the front screen, the upbeat swelling of lights make you want to get out of the way, while the horizontal scrolling bars behind you, combined with its meditating sound, keep you clamped to the ground. There’s no escape…
Knowing where you are (or where others are) is of significant importance with all different kinds of registration tech around us: GPS, smartphones, RFID, near field, ANPR, surveillance cameras, face and emotion recognition, Facebook, Foursquare, Hangouts, etc. The project addresses these changes in the techno society we as humans face now.
Experiencing the work in a gallery space
Experiencing the work at home
“Fronting Motion” consists of two screens and two stereo soundscapes facing each other. The work was originally (2014) based on two streams of live data: one coming from number plate recognition (ANPR) cameras along the A354, Dorchester-Weymouth, while the other stream did origin in the vessel tracking system around the Nearby Southampton harbor, both in the UK. Both data streams are translated into a surround sound stream and a corresponding visual stream. Each stream is broadcasted through its URL, which makes the piece technically very simple to present and flexible to any given space: it can be exhibited as black box installation for art spaces, but also on two combined screens of various sizes (computers, smartphones, pads, outdoor projection). Thus combined, the two streams create a multiphonic soundscape with two video screens: 1 screen plus stereo represents the traffic flow on land, the other screen plus stereo sound represents the traffic flow at sea.
Tech specs installation:
The installation consists of two websites shown together as a duo-screen installation, format flexible. The following condition must be met: the two projections (or screens) must be placed opposite each other so that visitors can find themselves in between. Four speakers must make the sound audible in stereo twice, coming from the correct direction for the screen in question. The work is available internationally for exhibition and other presentation formats.
– Sept 26- Oct 25 2020 Upstream Gallery in Amsterdam both online and on location as part of Appearances, curated by Josephine Bosma
-July 18 – August 16, 2014 University City Science Center’s Esther Klein Gallery. Open from 9 a.m. – 5 p.m., Monday-Saturday, 3600 Market Street Philadelphia. An opening reception is scheduled for Thursday, July 24 from 6 – 9 p.m.
-13 – 23 May, Bridport Arts Centre, Dorset, UK (presentation on two screens with stereo sound)
-17 May Car(bon)Mart 10.30am – 2pm (hands on explanation on how to experience the project at home)
-Guildhall Square Southampton, Public projection 13 – 15 June (presentation in two sea containers during „Internet of Cars” conference)
“Fronting Motion” has been realized in collaboration with:
Internet of Cars – A Distributed Exhibition
Produced by The Sixth Sense Transport, a EPRSC Energy / Digital Economy funded project.
The presentation at John Hansard Gallery; Southampton; UK as part of Internet of Cars
Directors from 6ST for Internet of Cars:
Dr Tom Cherrett, Transportation Research Group, University of Southampton;
Dr Chris Speed, Edinburgh College of Art, University of Edinburgh;
Consultant Curator and Project Manager Helen Sloan, Director, SCAN